Fernando Amorsolo

Fernando Amorsolo y Cueto was one of the most important artists in the history of painting in the Philippines. Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popular for his beautiful arts here in the philippines.
Amorsolo was born on May 30, 1892, in Paco, Manila. Don Fabián de la Rosa, his mother’s cousin, was also a Filipino painter. At the age of 13, Amorsolo became an apprentice to De la Rosa, who would eventually become the advocate and guide to Amorsolo’s painting career. During this time, Amorsolo’s mother embroidered to earn money, while Amorsolo helped by selling water color postcards to a local bookstore for 10 centavos each. His brother, Pablo Amorsolo, was also a painter. Amorsolo’s first success as a young painter came in 1908, when his painting Leyendo el periódico took second place at the Bazar Escolta, a contest organized by the Asociacion Internacional de Artistas. Between 1909 and 1914, he enrolled at the Art School of the Liceo de Manila.
Juan Luna

Juan Luna y Novicio, better known as Juan Luna was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Born in the town of Badoc, Ilocos Norte in the northern Philippines, Juan N. Luna was the third among the seven children of Joaquín Posadas Luna and Laureana Ancheta Novicio-Luna. In 1861, the Luna family moved to Manila and he went to Ateneo Municipal de Manila where he obtained his Bachelor of Arts degree. He excelled in painting and drawing, and was influenced by his brother, Manuel N. Luna, who, according to Filipino patriot José Rizal, was a better painter than Juan himself.
Luna enrolled at Escuela Nautica de Manila (now Philippine Merchant Marine Academy) and became a sailor. He took drawing lessons under the illustrious painting teacher Lorenzo Guerrero of Ermita, Manila. He also enrolled in the Academy of Fine Arts (Academia de Dibujo y Pintura) in Manila where he was influenced and taught how to draw by the Spanish artist Agustin Saez. However, Luna’s vigorous brush strokes displeased his teacher and Luna was discharged from the academy. However, Guerrero was impressed by his skill and urged Luna to travel to Cubao to further pursue his work.
Félix Hidalgo
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Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the great Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associate himself with the First Philippine Republic under Emilio Aguinaldo.
Hidalgo was born in Binondo, Manila on February 21, 1855. He was the third of seven children of Eduardo Resurrección Hidalgo and Maria Barbara Padilla. He studied in the University of Santo Tomas. He studied law, which he never finished, received a bacheller en filosifia in March 1871. He was simultaneously enrolled at the Escuela de Dibujo y Pintura. In 1876, he previewed his La barca (The Native Boat), Vendedora de lanzones (Lanzones Vendor) and other paintings at the Teatro Circo de Bilibid before they were sent to the Centennial Exposition in Philadelphia, Pennsylvania of that year. In 1878, he painted the poignant and well-crafted Los mendigos (The Beggars).
Victorio Edades

Victorio Edades was born on December 23, 1895 to Hilario and Cecilia Edades. He was the youngest of ten children (six of whom died of smallpox). He grew up in Barrio Bolosan in Dagupan, Pangasinan. His artistic ability surfaced during his early years. By seventh grade, his teachers were so impressed with him that he was dubbed “apprentice teacher” in his art class. He was also an achiever from the very beginning, having won awards in school debates and writing competitions.
After high school, Edades and his friends traveled to the United States. Before enrolling in Seattle, Edades incidentally made a detour to Alaska and experienced working in a couple of factories. Nonetheless, he moved on to Seattle and enrolled at the University of Washington where he took up architecture and later earned a Master of Fine Arts in Painting. The significant event that stirred Edades, and made him as what he is known now, was his encounter with the traveling exhibition from the New York Armory Hall. This art show presented modern European artists such as Cézanne, Gauguin, Matisse, Picasso and the Surrealists. His growing appreciation to what he saw veered him away from the conservative academic art and Realistic schools and thus he began to paint in the modern manner. The two former schools of thought were inclined more towards idyllic subject matter, and require a mastery of refined detailing. What attracted Edades to the modernist movement was its principle to go beyond the idealistic exteriors propagated by Impressionism and Realism. Modernist thought encourages experimentation in artistic expression and allows the artist to present reality as he sees it in his own way.
Botong Francisco

Botong Francisco was a most distinguished practitioner of mural painting for many decades and best known for his historical pieces. He was one of the first Filipino modernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando Amorsolo‘s romanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Francisco’s art “is a prime example of linear painting where lines and contours appear like cutouts.”[3]
He was responsible for the discovery of the now famous Angono Petroglyphs in 1965. He was also involved in Costume Design in Philippine cinema.
His great works include portrayals of the Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, and Muslim Betrothal. Some of his murals have suffered big damage over the years. The “Pageant of Commerce” emerged from several years of restoration in 2000.[3]
His murals, The Progress of Medicine in the Philippines is exhibited in the National Art Gallery of the Philippines. It is at present at the lobby of the Philippine General Hospital and was restored for the 3rd time in 2007.
Pacita Abad
Pacita Abad (October 5, 1946 – December 7, 2004) was born in Basco, Batanes, a small island in the northernmost part of the Philippines, between Luzon and Taiwan. Her more than 30-year painting career began when she traveled to the United States to undertake graduate studies. She exhibited her work in over 200 museums, galleries and other venues, including 75 solo shows, around the world. Abad’s work is now in public, corporate and private art collections in over 70 countries.
Abad earned a BA in political science at the University of the Philippines Diliman in 1967. In 1970, she went to the United States intending to study law, but instead earned a degree (MA) in Asian History at Lone Mountain College (University of San Francisco) in 1972 where she supported herself as a seamstress and a typist.[1] Abad studied painting at the Corcoran School of Art in Washington, D.C. and The Art Students League in New York City. She lived on 6 different continents and worked in more than 50 countries,[2] including Guatemala, Mexico, India, Afghanistan, Yemen, Sudan, Mali, Papua New Guinea, Cambodia and Indonesia. At Corcoran School of Art Pacita studied under Berthold Schmutzhart[3] and Blaine Larson in which the two professors had helped launch her artistic career. Pacita then further pursued her studies at The Art Students League in New York where she concentrated on still life and figurative drawing under John Helicker and Robert Beverly Hale.
This are just a few artist in the Philippines, they’re famous for the wonderful arts they shared and contibuted to our country, their arts mostly show the beauty of our country. The culture, sightings, tourist spots and many more.
REFERENCES: https://en.wikipedia.org/wiki/List_of_Filipino_painters
https://www.quora.com/Who-are-some-famous-Filipino-painters-and-the-names-of-their-paintings
